Opeth—not to be confused with competitor Oprah—is a syndicated daytime talk show aimed at women of a certain age. Like Oprah, Opeth often alternates between being incredibly heavy and incredibly light at regular intervals.
Opeth is hosted by Mikael Åkerfeldt, who is known for his sense of humor, brooding personality, and dreamy Swedish accent. Though Åkerfeldt is the host of the show, Opeth is equally noted for its collection of regular guests, which have included anxiety sufferer Martin Lopez, relationship expert Per Wiberg, and self-help guru and professional lanky Englishman Steven Wilson.
Over its twenty years of broadcast, Opeth has had a massive impact on popular culture, with regular segments like the Opeth Record Club influencing the sales of obscure 1970s progressive rock albums considerably.
Mikael Åkerfeldt was born to a family of modest means in a suburb of Stockholm, Sweden. The young Åkerfeldt’s childhood was full of hardship and trauma: at the age of nine, for instance, he was forced to listen to a Gorgoroth song. Early experiences like this had a profound impact on Åkerfeldt, and would come to shape his later life.
In the autumn of 1990, Åkerfeldt was invited by musician David Isberg to join a burgeoning project of his, Opeth. Isberg had initially conceived Opeth to be a melodic death metal band, but, with Isberg’s eventual departure, the project was left entirely in Åkerfeldt’s hands. Under Åkerfeldt, Opeth would evolve from a death metal act into an increasingly soft and progressive band, eventually ending its evolution as a women’s daytime talk show.
Though this drastic change of format was initially met with criticism and bewilderment—indeed, nothing this bewildering had been attempted in the annals of Progressive Metal since Tool attempted to be less bewildering—Opeth eventually rose to the top of syndicated daytime TV, a position it holds to this day.
Each episode of Opeth is an hour long, and usually focuses on one topic, like death, damnation, deliverance, ghosts, love, death, or death. Though each episode is typically unified on a conceptual level, the tone of each individual program usually flits wildly between extreme morosity and extreme joviality; in any given Opeth episode, the studio audience—as well as the viewers at home—can be treated to anything from depressing and often spiritual personal anecdotes to free designer handbags to safety tips around the home, all within the space of an hour. Åkerfeldt and company often bridge these two extremes with either acoustic guitar passages and mysterious whispering, or by simply cutting to commercial breaks.
Most of the actual content of Opeth is found in the show's regular segments, each of which is roughly ten to twelve to twenty minutes long. Indeed, the extreme length of these segments is often criticized by non-fans, many of which view the extreme length of Opeth segments as being alienating, unwieldy, and unnecessary. These criticisms aside, many particular segments have become nearly as well known as the show itself. Before leaving to host his own daytime talk show, for instance, Steven Wilson and his segment Up the Downstair with Steven Wilson proved to be extremely popular. Another popular segment was the Opeth Record Club, a segment in which Åkerfeldt expressed his affinity for a particularly obscure Prog record from the 1970s, and then beseeched viewers to buy said album.
Regular Guests & Resident Experts
Opeth is also known for its myriad of regular guests and resident specialists. Among them are:
Mikael Åkerfeldt is the show's host, producer, and creative supervisor. Much like fellow TV show host Oprah and musician Roger Waters, Åkerfeldt never, ever, ever relinquishes control of any of these three positions to anyone, especially the latter.
Peter Lindgren was a long time guest on the show, before Steven Wilson came into Mikael's life. The nature of Mikael's relationship with Steven eventually led to Peter leaving the show and living in solitude in the mountains of Sweden, presumably crying bitter tears of jealousy.
Steven Wilson worked with Opeth from 1999 until 2004 as a resident self help expert, as well as a sort of sidekick and “special friend” of host Mikael Åkerfeldt. His regular segment Up the Downstair with Steven Wilson proved to be extremely popular. So popular, in fact, that Wilson eventually left the cast of Opeth to concentrate his efforts on a project of his own. Wilson then eventually took time away from that project to concentrate his time and energy on various other side projects, ostensibly because he's just that great.
Per Wiberg is the show's “relationship expert,” as well as the cast’s most recent addition. Though the advice he dispenses is typically considered to fall within the realm of “common sense,” his contributions have generally been positively received by the show’s fans.
Little more than eyecandy, Martin Axenrot is Opeth’s resident “ladies’ man.” He his extremely popular with the fans, though the debate still rages over whether he or Martin Lopez, the fine piece of Latin ass he replaced, is the superior.
Martin Mendez is a former depression suffer and bassist. Having overcome the burden that is depression, Mendez dispenses advice and tells haunting personal anecdotes to help others do the same, all while playing the bass. Also, he plays the bass.
- “Orchid” (1995): Gardening tips galore as Åkerfeldt and friends discuss the nuances of Orchids, Black Roses, flowers’ Nectar, as well as the finer points of gardening, including how to get the most out of your Harvest, as well as how to transpose Patterns in the Ivy.
- “Morningrise” (1996): Does your monotonous morning routine got you down? Opeth covers ways to keep your days from getting Bleak, as well as tips for dealing with the Isolation Years of middle age and turning your time at work into Hours of Wealth.
- “My Arms, Your Hearse” (1998): Opeth deals with death the only way Opeth knows how: through giving out free gifts and prizes! Watch as gift baskets help victims find Closure in dealing with the deaths of their loved ones.
- “Still Life” (1999): It’s art appreciation week as the Opeth crew takes about the merit of art and artist. The genres of the Still Life and the Funeral Portrait are discussed at length.
- “Blackwater Park” (2001): Opeth’s guest express their ecological concern over a number of issues, including a Reverie on the logging of Harlequin Forest and the pollution of Blackwater Park.
- “Deliverance” (2002):This legendary Opeth holiday episode discusses events you can do during Advent, as well as fun holiday craft activities like making Wreaths and Porcelain Hearts.
- “Damnation” (2003): Despite its ominous title, this episode is particularly light, and consists of nothing but the cast and crew of Opeth giving away gifts until the show’s Ending Credits.
- “Ghost Reveries” (2005): Opeth takes a dive into the paranormal, and discusses the possible existence of Ghosts of Perdition and Demons of the Fall.
- “Watershed” (2008): Åkerfeldt makes his love of ’70s Prog Rock apparent, in addition to discussing the benefits of all-lotus diets and Hessian facial peels.
- This process is known as the “Genesis shift,” so named after 1970s-era Progressive Rock outfit Genesis eventually became a women’s help hotline under the influence of Phil Collins.
- In said segment, Wilson would dispense personal advice with a, as he described it, “Prog Rock twist.” Fans remember his oft-employed catchphrase and mantra: “when in doubt, steal a Pink Floyd riff.”
- This is, of course, very similar to the popular Oprah Winfrey Show segment Oprah's Book Club, with the key difference being Oprah's utter lack of literary credentials.
- “Never make your boyfriend watch Opeth, or even Oprah...”, for instance.