HowTo:Create a Commercially Successful Indie Band
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Are you a bourgeois student after some easy cash? Are you not sure where you're going in life? Are you stuck in a rut, waiting for your big break every day? Well, my friend, you're not going anywhere. That's what makes you perfect to increase the indie band market! The more of your sort we have, the better.
"But how do I do it?" I hear you say. Well, it's a lot easier than you could ever imagine. I could sum it up in a couple of sentences if I'm honest, but, hey, it's not like I'm not being paid to talk to you!
The Indie band ideology
The whole ideology of the perfect chart-topping indie band can be broken down into a few sections. Each of these goals must be achieved with utter perfection, or you can kiss goodbye to your 10 minutes of fame. Before we start, don't forget your guitar! Oh, you have? Never mind, I'm sure we can work something out... Ah! Here we are: a bass guitar, and a 1980s keyboard. Oh yes, retro's in! Now, where was I?
This is without doubt the most essential element of the genre. Your band will depend on this for success. You don't even need real musical ability!
Your band must, and I mean must be one of two things, as well as all having Sideburns. You could be of any nationality, any race, hell, you could sing in chinese, but it is utterly essential that you are either a group of lovable, lower-class cockney boys scouting for girls, or a group of lower-class northerners who don't do much, but have a vaguely unfamiliar accent, thus endearing them to you. The most essential part of it all, though, is that you are very blatantly middle-class, perhaps Oxford graduates. "But isn't that too obvious?" I hear you think. Well, in many cases it would be. If an upper-class businessman sold himself as a Death Metaller I think he'd be, somewhat, cutting his own work out. However, for some reason, in the indie band market it always works. The theory behind this is that the IQ of a nation is the IQ of its least intelligent inhabitant divided by the number of inhabitants, but, either way, we're not about the thought process, we're about the end product.
After hearing Mr. Brightside by The Killers for the first time, it is essential that you maintain the quality of your sideburns which are grown whilst listening to the song. As long as each member of the Indie band has sideburns, then you will go on continuing to produce shite music, and increasing the number of people with sideburns.
There are a few highly successful indie bands that got there solely on lyrics. Think The Arctic Monkeys and The Wombats. These sorts of bands are usually an anomaly, but you must also focus on this area to cover all possible bases for a higher chance of success. These are the kind of lyrics you simply have to emulate / plagiarise:
|Whenever she looks I read the nearest paper / No I don't care about the soaps /
No I don't care about the soaps / ...Though I'm acting like I'm in an Eastenders episode
Carrots help us see much better in the dark / Don't talk to girls; they'll break your heart /
See that? That's what I like to call "the perfect indie lyric". See how it all comes together? If you look carefully, you'll notice that none of the lines, together, actually form anything close to a coherent story. All there is is a vague concept behind the whole thing that allows each of the lines to rhyme and still sound like a self-deprecating cockney boy desperate to find a girlfriend. It even has a reference to Eastenders: the ultimate indie band's dream! To be in a commercially successful indie band is to aspire to being working-class with everyday problems; if only because the british public find it endearing.
Another essential element of your songwriting is that your chorus must be repeated over and over and over and over and over and over and over until your singer's lungs need replacing. A brilliant example is this, the chorus from "She's So Lovely" by Scouting For Girls (what an apt name!):
|She's so lovely / She's so lovely / She's so lovely / She's so lovelaay / She's so lovely / She's so lovely / She's so lovely / She's so lovelaay / She's so lovely / She's so lovely / She's so lovely / She's so lovelaay / She's so lovely / She's so lovely / She's so lovely / She's so lovelaay / She's so lovely / She's so lovely / She's so lovely / She's so lovelaay / et cetera / et cetera / et cetera / Ow! My lungs hurt!
Using your newfound coolness and lyric-induced repetitive strain injuries you need to start publicising yourself. Take a few pictures of your band all looking in different directions and add your band name under it: may I suggest "The What?"? No self-respecting indie band is seen nowadays without a "The" before their band name, regardless of grammar.
Now you're getting big in the world through not doing so much (see, what did I tell you? It's easy!) it's time to start actually making music. This isn't mandatory, but, like I said, we need to cover all bases if we're gonna get somewhere.
Here's the perfect album tracklist:
The What? - How To Keep a Face Expressionless
- Cowboys & Indie Songs
- I Saw a Car Driving Down the Street (It Was Adhering to the Speed Limit)
- Baby Spice
- You Don't Have to Love Me Just Because I'm an Endearing Self-Deprecating Cockney Lad (Although You Should (And if You Don't I'll Write a Song About it))
- Put This Song Name in Your MSN Nickname
- Too Young to Wear a Leather Jacket
- The Generator
- Drawing Inspiration From Places it Ought Not be Drawn From
- (I Could Have Won) Were I Not Incapable
- On the Edge (ft. The Edge from U2)
You can keep this tracklist as it is, if you're feeling particularly lazy, or you can change a few words in the song names. It's really beginning to scare me how no-one can tell the difference...
Now you're a hugely successful band making number 3 every week in the UK charts...
Please don't sack me! Please?
- that's for the genre originators like The Libertines (you know, that band that had Pete Doherty in it)